SKU: 89655307645

Meissen 58-Piece Hand-Painted Floral Coffee Service c.1900 - Signed Numbered Gilt

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Description

Meissen 58-Piece Hand-Painted Floral Coffee Service c.1900 - Signed Numbered GiltSpectacular Meissen 58 Piece Hand Painted Floral Porcelain Coffee Service c. 1900 An extraordinary and museum quality Meissen porcelain coffee service comprising 58 pieces, each hand painted with exquisite floral decoration and enriched with gold staffage. Signed with the iconic crossed swords mark, dated, and numbered, this magnificent service represents German porcelain craftsmanship at its absolute finest. This is a once in a lifetime acquisition

Spectacular Meissen 58-Piece Hand-Painted Floral Porcelain Coffee Service c.1900

An extraordinary and museum-quality Meissen porcelain coffee service comprising 58 pieces, each hand-painted with exquisite floral decoration and enriched with gold staffage. Signed with the iconic crossed swords mark, dated, and numbered, this magnificent service represents German porcelain craftsmanship at its absolute finest. This is a once-in-a-lifetime acquisition opportunity for serious collectors of Meissen and fine European porcelain.

Meissen - The Pinnacle of European Porcelain

Meissen holds the distinction of being Europe's first porcelain manufactory, established in 1710 after alchemist Johann Friedrich Böttger discovered the secret of hard-paste porcelain. For over three centuries, Meissen has represented the absolute pinnacle of European ceramic art, with its crossed swords mark recognized worldwide as a symbol of uncompromising quality, artistic excellence, and investment value. Meissen pieces from the turn of the 20th century, when this service was created, represent a golden age of technical perfection and decorative sophistication.

The Complete 58-Piece Service Includes

This comprehensive service provides everything needed for elegant coffee service and entertaining: 1 coffee pot (23.5 cm height), 1 milk jug, 1 sugar bowl, 12 coffee cups with 12 matching saucers, 12 cake plates, 1 cake bowl (28 cm diameter), 1 small centerpiece, 1 four-sided tray, 1 oval basket bowl, 1 pastry plate, 6 small bowls, 5 vases in different models, 1 candlestick, 1 ashtray, and 1 coaster. The completeness of this service dramatically enhances its value - finding intact multi-piece Meissen services of this scale and quality is increasingly rare.

Hand-Painted Floral Decoration

Each piece features meticulously hand-painted floral decoration executed by Meissen's master decorators. The naturalistic flowers, rendered with botanical accuracy and artistic sensitivity, showcase the extraordinary skill required to paint on curved porcelain surfaces. The subtle color gradations, delicate brushwork, and harmonious compositions demonstrate why Meissen's decorators were considered the finest in Europe. Every flower, leaf, and stem was painted freehand, making each piece unique while maintaining perfect stylistic unity across the entire service.

Gold Staffage and Gilt Enrichment

The service is enriched with gold staffage - decorative gold elements that frame and enhance the floral painting. This gold decoration, applied by hand and fired at high temperature to achieve permanent brilliance, adds luxury and visual richness while demonstrating Meissen's mastery of precious metal application. The gold remains bright and intact, testament to both original quality and careful preservation. Gold-enriched Meissen pieces command significant premiums in the collector market.

Crossed Swords Mark, Dating, and Numbering

Every piece bears Meissen's iconic underglaze blue crossed swords mark, the most famous porcelain mark in the world. Additionally, pieces are marked with year marks, model numbers, painter's numbers, and pressed marks - comprehensive documentation that allows precise dating and authentication. This level of marking is characteristic of Meissen's meticulous quality control and provides collectors with complete provenance information. The marks confirm this service dates to approximately 1900, placing it at the height of Meissen's Belle Époque production.

Condition - Like New

Remarkably, this 58-piece service remains in used but like-new condition - an extraordinary achievement for porcelain over 120 years old. There are no chips, cracks, repairs, or significant wear. The hand-painted decoration retains its original brilliance, the gold staffage shows no wear, and the porcelain bodies remain pristine white. This exceptional preservation dramatically enhances both aesthetic appeal and investment value, as condition is paramount in porcelain collecting. Finding complete Meissen services in this condition is exceptionally rare.

Technical Excellence

Meissen's hard-paste porcelain represents the technical pinnacle of ceramic achievement. The pure white body, translucent quality, resonant ring when tapped, and flawless glazing demonstrate complete mastery of porcelain chemistry and firing techniques. Each piece was individually thrown, turned, and finished by hand, then decorated and fired multiple times to achieve the final result. The consistency of quality across 58 pieces showcases Meissen's extraordinary production standards.

Investment Value and Market Position

Complete Meissen services of this scale, quality, and condition represent exceptional investment opportunities. Meissen porcelain has shown consistent appreciation for decades, with major services achieving significant prices at international auctions. This service's combination of completeness (58 pieces), excellent condition, comprehensive marking, gold enrichment, and turn-of-century date positions it as a museum-quality acquisition. The rarity of finding intact services of this caliber cannot be overstated.

Historical and Cultural Significance

This service embodies the Belle Époque era's aesthetic values - refinement, luxury, attention to detail, and the elevation of daily rituals like coffee service into art forms. It represents a vanished world of formal entertaining, domestic elegance, and the appreciation of beautiful objects in everyday life. For collectors of European decorative arts, this service offers tangible connection to this fascinating historical period.

Collecting Context

This service appeals to multiple collecting categories: Meissen specialists, European porcelain collectors, decorative arts enthusiasts, and those furnishing period interiors. It would enhance private collections, corporate holdings, institutional acquisitions, or luxury hospitality settings. The service's museum quality, historical significance, and aesthetic power make it suitable for the most discerning collections.

Display and Use

While this service could certainly be used for its original purpose, most collectors of this caliber choose to display such pieces in illuminated cabinets or vitrines where their beauty can be appreciated without risk. The service's scale allows for impressive display arrangements, and the variety of forms creates visual interest. Some collectors rotate pieces for seasonal display while keeping the complete service together.

Documentation and Authentication

Comprehensive documentation available including mark analysis, dating research, condition reports, comparative examples, and insurance valuation. The extensive marking on each piece provides complete authentication and provenance information. Professional appraisal and insurance documentation can be arranged for serious collectors.

Available for viewing by appointment at Artemisia Fine Arts & Antiques Ltd, Malta's premier gallery for museum-quality European porcelain and decorative arts. We provide expert consultation, authentication services, insurance valuation, and international shipping with specialized porcelain handlers. This is a once-in-a-lifetime acquisition opportunity. Serious inquiries from qualified collectors and institutions welcome.

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SKU: 89655307645

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C. Tucker
Cuba, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
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mrliteral
Dallas, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
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Verified Purchase
Arthur E. Williams
West Palm Beach, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
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Reviewed in the United States on August 24, 2006
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db
Birmingham, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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SteelBlue
Charlottesville, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005

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