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Maria Callas: Puccini: Tosca - COMPACT DISCSTitle: Puccini: Tosca Artist: Maria Callas Label: Warner Classics Product Type: COMPACT DISCS UPC: 190295989378 Genre: Classical Release Date: 2016 10 14 Number of Discs: 2 PUCCINI: TOSCA MARIA CALLAS This Tosca was Maria Callas's final studio recording of a complete opera. In 1965, 12 years after her first recording of the opera (made in Milan Victor de Sabata) she was reunited in Paris with the Scarpia of Tito Gobbi. Both singers bring new dramatic
Title: Puccini: ToscaArtist: Maria Callas
Label: Warner Classics
Product Type: COMPACT DISCS
UPC: 190295989378
Genre: Classical
Release Date: 2016-10-14
Number of Discs: 2
PUCCINI: TOSCA MARIA CALLAS - This Tosca was Maria Callas's final studio recording of a complete opera. In 1965, 12 years after her first recording of the opera (made in Milan Victor de Sabata) she was reunited in Paris with the Scarpia of Tito Gobbi. Both singers bring new dramatic insights to their roles. - These are the first five releases in a new line of premium releases of classic operatic recordings. - Each of these releases offers optimum sound quality. The four releases originally recorded using analogue techniques (Carmen, Die Zauberflöte, Don Giovanni, Tosca) have all been newly remastered in 24-bit/96kHz at Abbey Road Studios using the latest technology, while La traviata benefits from it's stunning original digital recording. - In addition to the CDs, each of these releases includes a hardback, cloth-bound book of between 156 and 260 pages. This book contains: - the complete libretto (with translations) - a component now increasingly rare in opera sets; - an essay by the journalist and opera expert George Hall; - an impressive array of photographic material, with numerous pictures of the artists at the time the recording was made. - The CDs and book are contained in a glossy dustjacket featuring the original cover artwork for the release. - As George Hall writes of the series:"Although many other recordings of the same works exist, in each instance special factors are generally agreed to have given every one of these sets particular qualities that have continued to attract the highest critical praise, as well as the ongoing affection of generations of opera lovers. Having stood the test of time, the results can now be enjoyed by today's listeners in their optimum sonic manifestations."
Tracks:
1.1 Tosca, Act 1: 'Ah! Finalmente!' (Angelotti, Sacristan, Cavaradossi) - Leonardo Monreale, Giorgio Tadeo, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.2 Tosca, Act 1: 'Dammi I Colori... Recondita Armonia' (Cavaradossi, Sagrestano) - Carlo Bergonzi, Giorgio Tadeo, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.3 Tosca, Act 1: 'Gente la Dentro!' (Cavaradossi, Angelotti, Tosca) - Carlo Bergonzi, Leonardo Monreale, Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.4 Tosca, Act 1: 'Mario! Mario! Mario!' (Tosca, Cavaradossi) - Maria Callas, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.5 Tosca, Act 1: 'Ah, Quegli Occhi! Quale Occhi Al Mondo Puo Di Paro' (Tosca, Cavaradossi) - Maria Callas, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.6 Tosca, Act 1: 'E Buona la Mia Tosca' (Cavaradossi, Angelotti, Sagrestano, Chorus) - Carlo Bergonzi, Leonardo Monreale, Giorgio Tadeo, Choeurs de L'opera National de Paris, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.7 Tosca, Act 1: 'Un Tal Baccano in Chiesa!' (Scarpia, Sacristan, Spoletta) - Tito Gobbi, Giorgio Tadeo, Renato Ercolani, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.8 Tosca, Act 1: 'Tutto E Chiaro Tosca? Che Non Mi Veda Mario! Mario!' - Tito Gobbi, Maria Callas, Giorgio Tadeo, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.9 Tosca, Act 1: 'Ed Io Venivo a Lui Tutta Dogliosa' (Tosca, Scarpia) - Maria Callas, Tito Gobbi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
1.10 Tosca, Act 1: 'Tre Sbirri' (Scarpia, Spoletta, Chorus) - Tito Gobbi, Renato Ercolani, Georges Prete, Orchestre de la Societe Des Concerts Du Conservatoire
2.1 Tosca, Act 2: 'Tosca E Un Buon Falco' (Scarpia, Sciarrone) - Tito Gobbi, Ugo Trama, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.2 Tosca, Act 2: 'Ha Piu Forte' (Scarpia, Sciarrone, Spoletta) - Tito Gobbi, Ugo Trama, Renato Ercolani, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.3 Tosca, Act 2: 'Meno Male!' (Scarpia, Spoletta, Cavaradossi) - Tito Gobbi, Renato Ercolani, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.4 Tosca, Act 2: 'Dov'e Dunque Angelotti?' (Scarpia, Cavaradossi, Spoletta, Tosca) - Tito Gobbi, Carlo Bergonzi, Renato Ercolani, Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.5 Tosca, Act 2: 'Ed or Fra Noi Parliam Da Buoni Amici' (Scarpia, Tosca, Sciarrone, Cavaradossi) - Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.6 Tosca, Act 2: 'Orsu, Tosca, Parlate' (Scarpia, Tosca, Cavaradossi) - Tito Gobbi, Maria Callas, Carlo Bergonzi, Renato Ercolani, Leonardo Monreale, Giorgio Tadeo, Ugo Trama, David Sellar, Choeurs de L'opera National de Paris, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.7 Tosca, Act 2: 'Nel Pozzo... Del Giardino' (Scarpia, Sciarrone, Tosca, Cavaradossi) - Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.8 Tosca, Act 2: 'Se la Giurata' (Scarpia, Tosca) - Tito Gobbi, Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.9 Tosca, Act 2: 'Vissi D'arte' (Tosca) - Maria Callas, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.10 Tosca, Act 2: 'Vedi, Ecco, Vedi' (Tosca, Scarpia, Spoletta) - Maria Callas, Tito Gobbi, Renato Ercolani, Orchestre de la Societe Des Concerts Du Conservatoire, Georges Pretre
2.11 Tosca, Act 2: 'E Qual Via Scegliete?' (Scarpia, Tosca) - Tito Gobbi, Maria Callas, Orchestre de la Societe Des Concerts Du Cons
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4.7 ★★★★★
Based on 2138 reviews
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Product Reviews
★★★★★ 3
Chicken Flavor Good, But 🔄 Rotation-Resistant✖; Best for Simpler Chewers
Size: X-Small, Color: Ring Bone, Size: X-Small, Color: Ring Bone
🐾 Hi, I’m PVD; plush sophisticate, chew critic, and active curator of rotational toy relevance.
This ring bone and I never fully bonded. I sampled it maybe five times in my entire puppyhood before quietly returning it to the bin (with a single judgmental glance).
Still, it does have value for the right pup.
⭐ Why I originally wanted to love it:
✔️ XS size works well for very young puppies
✔️ Chicken flavor lasts impressively long
✔️ Freezing offers temporary gum relief
✔️ Durable and safe; no odd odors or shredding
🌀 Why it’s now a respectful 3-star chew in my rotation:
✘ Never became a go-to toy (5 uses max in my life)
✘ Ring shape felt awkward, not natural or chic; hard to grip and maneuver
✘ Texture too tame vs. nubs or detailed chew surfaces
✘ When I was smaller, I much preferred the Nylabone Baby Blue Bone Chew Toy with nubs (my personal classic), and have since matured into nightly Nylabone “Nubz” edible bones
This Ring Bone is Best For:
• Very young puppies with minimal chew preferences
• Dogs who like simple textures and circular shapes
• Those just starting enrichment chew play
• Freezer treat rotations (briefly)
🚫 Not ideal for: picky pups, advanced chewers, or dogs who analyze toy ergonomics (like myself).
📝 Final Re-Barks:
A strong, well-made chew, but lacked the intrigue to make my permanent rotation. Works for basic chew enjoyment; not for pups with elevated taste or toy ambition.
— PVD (Chew Strategist, Textural Analyst & Aspire-to-Vine Reviewer 🐶💼)
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 17, 2025
★★★★★ 5
Puppy loves it!
Size: X-Large, Color: Teething Bone, Size: X-Large, Color: Teething Bone
My small puppy loves this bone! I originally purchased this for a larger dog, but my small 10 pound puppy loves it more. It’s good quality and a softer material for puppies!
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Reviewed in the United States on May 10, 2026
★★★★★ 4
A hit, but could be stronger
Size: Medium, Color: Ring Bone, Size: Medium, Color: Ring Bone
Gave this to my 11 week old pittie, and she did significant damage within 15 mins. She left a pile of chewed bits on the couch but thankfully didn't eat them. Definitely don't leave unsupervised.
That said, she LOVED it and it seemed to help her teething gums so, I'm still giving it a 4/5
Puppy pics for tax
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Reviewed in the United States on June 3, 2026
★★★★★ 5
FOR SHORT TIME USE
Size: X-Small, Color: Ring Bone
My puppies love this. After a couple of weeks, it is worn so I throw it out and buy another since it's reasonably priced. I don't want them to actually ingest a chunk of this.
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Reviewed in the United States on April 11, 2026
★★★★★ 5
Great for our puppy
Size: X-Small, Color: Ring Bone
This chew toy has quickly become our puppy’s absolute favorite. She’s just starting to teethe, and keeping her busy and comfortable has definitely been a challenge, but this ring has been a lifesaver. She was interested in it right away and keeps coming back to it on her own, which is a huge win. The chicken flavor seems to really hold her attention, and it gives her something appropriate to chew instead of everything else.
It’s the perfect size for a very young puppy and easy for her to hold and gnaw on without getting frustrated. It keeps her occupied, helps soothe her gums, and gives us a much-needed break during those teething moments. If you have a puppy just starting the teething phase and need something safe, durable, and engaging, this is an excellent choice and one I’d happily buy again.
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Reviewed in the United States on February 6, 2026