SKU: 87590268327

Print Isn't Dead Print

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Description

Print Isn't Dead PrintA limited edition, four colour reduction linocut in purple and lilac with metallic gold printed in oil based ink on Fabriano Rosaspina 280 gsm weight paper. The gold shimmers in natural and ambient light. The lettering is printed in a very dark blue though shows up black in the photographs. A reduction cut linoprint is when each colour that has been printed is carved away. This means that there is virtually nothing left on the block after printing the

A limited edition, four colour reduction linocut in purple and lilac with metallic gold printed in oil based ink on Fabriano Rosaspina 280 gsm weight paper. The gold shimmers in natural and ambient light. The lettering is printed in a very dark blue though shows up black in the photographs.

A reduction cut linoprint is when each colour that has been printed is carved away. This means that there is virtually nothing left on the block after printing the last colour, so the block can not be printed again.

This print started with the phrase "Print Isn't Dead". Used by People of Print, (a print organisation Cally is a member of) it's a rallying cry that's become even more poinant against the rise of AI in Art. The need for hand crafted becomes more pressing in the face of something so faceless and devoid of humanity.

"I began thinking of how we are always eager to embrace what we see as progress, often at a great cost-the damage is done before it is too late. We have done this to our natural world, driving many species to extinction and often it has been due to pure greed. So I began to researching extinct and endangered flora and fauna, not expecting to find so many. It was very sobering. I read the back story on each one in this image, and combined them, staged, within the lettering. The final metallic gold alludes to the myth of King Midas and his greed which turned everything to gold, but in turn destroying it all in the process."

The flora and fauna included in this print are clockwise, left to right:
St. Helena Olive, Titan Arum (native to Sumatra, very few are now found in the wild, most are in botanical gardens like Kew Gardens) the Carolina Parakeet, Cry Violet flower, the Cooksonia plant, the Japanese Honshu Wolf, the Jamaican Sunset Moth, the Silphium flower, the Laughing Owl, the Large Copper Butterfly, the Black Mamo bird, the Apple Bumblebee (became extinct in Kent, UK), the Long-Tailed Hopping Mouse, the Dodo, the Franklin tree plant, the Chocolate Cosmos (extinct in the wild), and the Thylacine.

Image size: 30.5 x 24.5 cm.
Paper size: 42 x 38.5 cm.
Variable edition of 12 (only 5 exists in this colourway), numbered with EV (edition variable), titled and signed.

A variable editon (or EV edition variable) means that the artist has deliberately changed something during the edition when printing from the same block, and in this case it's the colour.

A lover of the natural world, Cally's prints are inspired by nature and folklore. She is based in London, but is constantly drawn to the beauty of nature and its place within the world. She began producing etchings and collagraphs at art college, and came to linocut printmaking much later. She really fell in love with the process of linocut; something about the carved line as a way to translate her sketches, and to explore pattern and texture.

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SKU: 87590268327

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I’ve been taking the Ocean Magnesium 200mg Aquamin with B6 for a little over a month now, and I’ve really enjoyed adding it into my routine. I’ve tried several types of magnesium supplements in the past, but this one stood out to me for a couple of reasons: it’s made with Aquamin (derived from sea minerals), it’s vegan, and it comes in an easy-to-take capsule form. The first thing I noticed was the packaging. The bottle is sturdy, seals well, and the label is clear and easy to read. I like that it’s straightforward about the ingredients—no unnecessary additives or confusing blends. The capsules themselves are an average size, not too big or hard to swallow, which I appreciate since I take them at night before bed. As far as digestibility, this has been one of the gentlest magnesium options I’ve tried. Some brands I’ve used in the past left me with an upset stomach, but I haven’t had that issue here. I also appreciate that the capsules don’t have a strong aftertaste or odd smell, which has sometimes been the case with other supplements. I also really like that this formula includes vitamin B6. Even though I can’t measure exactly what difference that makes, I like knowing that it’s formulated with complementary nutrients in mind. It feels more thoughtfully designed than a basic one-ingredient pill. Another nice thing is that the bottle provides a full 60-count supply, which lasts me two months since the serving size is just one capsule per day. That makes it more cost-effective than other brands where you need to take multiple pills. I can’t make specific claims about the effects, but I will say that I enjoy having this as part of my daily wellness routine. It’s simple, clean, and feels like a product I can stick with long-term. I also like knowing it comes from a whole food, plant-based source, which aligns with how I try to approach my overall diet. Overall, I’d recommend Ocean Magnesium to anyone looking for a well-made, vegan-friendly magnesium option. The capsules are easy to take, gentle, and thoughtfully formulated. It’s one of the few supplements I’ve tried that I look forward to continuing with regularly.
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